This exhibition established a dialogue between the works of Phillippe Van Snick and Daniel Steegmann Mangrané. We used one painting from Philippe as inspiration for the museography, using it as a floorplan for a series of 5 large tables or plinths, painted in Philippe's bright charactheristic hues or left bare wood as the original painting background. Over this table a series of work objects and images were displayed, trying to confuse both bodies, whithout (almost) any indication to who belonged what. A dense web of correlations was established, and while both thinkings remained individual they enhaced each other.